It’s simple, easy to read, and finds elegance in prioritizing function. The teardrop shape and light blue color of the case (it’s made of ceramic, by the way) absolutely scream 1950s, and the design of the dial itself reads as a preview of what would come later in Bill’s watches. The Küchenuhr is a tribute of sorts, as it recreates the very first product that Bill designed for Junghans all the way back in 1956. The watches bearing his name are very much at the core of the brand itself these days, and have come to define the Bauhaus aesthetic when it comes to watches specifically. More information at you’re familiar with Junghans at all, you’re probably aware of the brand’s association with designer Max Bill. The Junghans Max Bill Edition Set 2019 is a limited edition of 222 pieces worldwide and retails for EUR 3,475 (incl. A large winding key is also provided in the presentation box. Incidentally, the day of the week is also available in English and the watch comes with a black calf leather strap and buckle.Īlongside the chronograph, Junghans includes a table clock with a black piano lacquer wooden case (165 x 175) and a mechanical movement with an 8-day power reserve. The watch is fitted with a self-winding movement (J880.2) with a power reserve of 48 hours. On the reverse side, the screw-down caseback features an abstract geometric design (taken from Max Bill’s Variation 15 spiral design) and the designer’s signature. The hour and minute hands are treated with an “environmentally-friendly” luminous substance. Even the black typography of the hour numerals and the “Junghans Chronoscope” lettering on the dial hark back to Max Bill’s wristwatches. The 30-minute and 12-hour counters are aligned vertically and depicted in a subtle grey colour, the same one used for the peripheral minute track. The thin bezel, with the piston-style chronograph pushers on the right side, allows an expansive view of the domed matte silver-plated dial. The stainless steel case has a 40mm diameter and a thickness of 14.4mm. The design of this chronograph is based on Max Bill’s watches of the early 1960s where legibility, functionality and understated design were the operative words. Max Bill’s kitchen clock for Junghans was an expression of purist aesthetics and functionality “ as far removed from any fashion as possible“. Max Bill, a Swiss artist who had studied at the Bauhaus in Dessau from 1927-1928 and would go on to found the Ulm School of Design, was commissioned by Junghans to design a kitchen clock. The tenets of Bauhaus included the absence of ornamentation and the harmony between the function of an object and its design.Īn example of Junghans Kitchen Clock by Max Bill – Photo by MOMA Known as Bauhaus “building house”, this German art school (1919-1933) would become renowned for its purist, modernist approach to the arts and would exert an enormous influence on graphic, interior and industrial design. The Staatliches Bauhaus was founded by architect Walter Gropius in 1919. Junghans was founded in 1861 by Erhard Junghans in Schramberg (Black Forest) and by 1903 had become the largest manufacturer of clocks in the world, producing over 3 million timepieces a year. As you would expect, the tenet “form follows function” and the rational and functional philosophy of Bauhaus pervade the mood of both timepieces. 2019 marks the 100 th anniversary of Bauhaus and German watchmaker Junghans celebrates its working relationship with Bauhaus Swiss designer Max Bill with the Max Bill Automatic 100 Jahre Bauhaus watch and this limited edition of 222 sets comprised of an automatic chronograph and table clock – the Junghans Max Bill Edition Set 2019.
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